St Emilion, France, Watercolour, 15" x 11"
This is the bottom of the town as I call it. On the right is a pizza restaurant bedecked in yellow and yellow parasols. A contra jour shot looking down to the end of the town.
Painted on Saunders Waterford, Cold Press, 300 gms.
#watercolour #StcMill #watercolorpainting
This painting is for sale. Please contact Tim Wilmot for details.
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Vilamoura, Portugal, Watercolour, 15" x 11"
A sharp right-angle corner in the marina and a few canopies over cafes and restaurants along the waters edge. I thought it made an interesting pattern looking across the tops of the parasols. Palm trees simply painted with a small round brush and some dry brush marks, flicked to emulate palm fronds.
Painted on Saunders Waterford, Cold Press, 300 gms.
#watercolour #StcMill #watercolorpainting
This painting is for sale. Please contact Tim Wilmot for details.
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Weekly sketch night at my art society (well we are all at home locations for a bit), the 'Bristol Savages', and the topic for the night was 'There will always be an England'. So we have normally 2 hours to produce a painting based on that topic without the use of any reference material (so no cheating looking up on the web). Owning to the current social distancing restrictions, this of course was a virtual meeting.
My painting is based on a view looking down Gloucester Road and some dramatic shadows.
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2-hour demo via Zoom to 24 attendees from Wallingford Art Club. I had selected 4 possible French Street scenes to paint and we all had a vote on what I would attempt for the demo. Chosen scene was a pretty square in St Emilion South West France. Demo covered composition, and how to simplify the scene. Several watercolour techniques were covered and values.
Any art club out there who wants a couple of hours demo in watercolor, please contact me for details!
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St Ives, Cornwall, Watercolour, 15" x 11"
A bit of messing around and playing with warm against cool. So mainly a cool, dark sky against warm, lighter, roof tops and carry a bit of light red into the sky. Sorry to St Ives residents - I have changed the houses around a little!
Painted on Saunders Waterford, Cold Press, 300 gms.
#watercolour #StcMill #watercolorpainting
This painting is for sale. Please contact Tim Wilmot for details.
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Weekly sketch night at my art society, the 'Bristol Savages', and the topic for the night was friends across the seas. So we have normally 2 hours to produce a painting based on that topic without the use of any reference material (so no cheating looking up on the web). Owning to the current social distancing restrictions, this of course was a virtual meeting.
Painted on Saunders Waterford, Cold Press 300 gms
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Weekly sketch night at my art society, the 'Bristol Savages', and the topic for the night was Plain Sailing. So we have 2 hours to produce a painting based on that topic without the use of any reference material (so no cheating looking up on the web).
Painted on Saunders Waterford, Cold Press, 300 gms
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Watercolour, Watercolour, 15" x 11"
Weekly sketch night at my art society, the 'Bristol Savages', and the topic for the night was 'Challenges Ahead' (I think) - probably inspired by the virus issues at the moment. So we have 2 hours to produce a painting based on that topic without the use of any reference material (so no cheating looking up on the web). I came up with an idea, someone with reduced mobility, climbing some steps. Inspired by a Tuscan scene I have painted a couple of times. Paint a scene enough times, you sort of remember it.
Painted on Saunders Waterford, Cold Press, 300 gms.
#watercolour #StcMill #watercolorpainting
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Weekly sketch night at my art society, the 'Bristol Savages', and the topic for the night was "Grand designs on land sea and air". So we have 2 hours to produce a painting based on that topic without the use of any reference material (so no cheating looking up on the web).
I based mine on a scene from St Tropez...
Painted on Saunders Waterford, Cold Press 300 gms
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Winchester, UK, Watercolor 15" x 11"
Vernazza, Italy, Watercolor 15" x 11"
A couple of paintings from a weekend workshop I ran in Bristol. Two very different scenes that we all attempted - Winchester and Vernazza. I think a good format for the workshops I run is that I normally complete 2 demos in the day. Attendees paint along with me, as in, I first do my drawing, then attendees do their drawings of the same scene, I do the first wash and then attendees do the wash and so on. It seems to work well.
Both painted on Saunders Waterford, Cold Press, 300 gms
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