The Long Arms, Steeple Ashton.
The main pub in the village (nice menu!) and some convenient shade on the opposite side of the street to paint from. Lovely imposing building and some benches outside with the pub sign
So second plein air done just before lunch in the pub, was a real quickie looking up the village and a contra jour shot.
Both painted on Saunders Waterford, Cold Press, 300 gms
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Bath, UK, 15" x 11"
A view down St John's Place in Bath. Lovely buildings I think in the Georgian Style, and quite a challenge to get the stonework the correct colour. It's a busy area, being near to the Theatre Royal, so needs a few people wandering about.
Painted on Saunders Waterford, Cold Press, 300 gms paper.
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Bath, UK, 15" x 11"
A view up/down Grand Parade in Bath, from Pulteney Bridge (the Bridge is to the left of this scene). Most of the time, a busy street corner with mainly visitors to the city, so I had to put quite a few in. With a group of figures, I try to treat them as one shape - so draw the tops of heads and shoulders first, then the shape of multiple bodies and sizes intermingled.
Painted on Saunders Waterford, Cold Press, 300 gms.
#watercolour #StcMill #watercolorpainting
This painting is for sale. Please contact Tim Wilmot for details.
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Timsbury, UK, 11" x 15"
Another warm up for a demo to the local art group in this village south of Bath. Quite a simple row of cottages with a bit of warm and cool contrasts going on - the warm colour of the road and the cool shadows from the houses. Composition wise, it needed to be portrait orientation I think.
Painted on Saunders Waterford, Cold Press 300 gms
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Bath, UK, 15" x 11"
Green Street Bath and a narrow street, very typical in this area and a view up to the spire of St Michael's Church. Quite a loose approach to the buildings on each side of the street. Had to be careful to leave out the whites of the windows on the right, and adding that little triangle of dark just makes it into a window with some bright light hitting it.
Painted on Saunders Waterford, Cold Press, 300 gms.
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Bath, UK, 15" x 11"
A fairly loose rendition of a typical Bath street, and trying to capture the warm ochre of the stonework. I'm also mixing different silhouetted shapes with the figures coming out of shadows, as I quite often do now, shadows on the far buildings, and some street furniture catching the light and contrasting with the background. I have achieved the soft edge of where the rooftops meet the sky by doing a little wet in wet, with the building was being slightly thicker than the sky wash.
Painted on Saunders Waterford, Cold Press, 300 Gms
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Bath UK, both 15" x 11"
Two paintings from separate sessions of my January watercolour workshop. Almost like a spot the difference competition, taking the same scene and a demo to two separate audiences. I like the dotted white lines rather than the yellow they are in reality. An example of changing what you see to suit your composition and not copy exactly what's in a photo.
Both painted on Saunders Waterford, Cold Press, 300 gms
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Norton St Philip, Bath, 15" x 11"
A quickie plein air before lunch in the George - out with the Exiles last year and a painting expedition to Norton St Philip. This was the painting after my YouTube recording earlier (when I filmed myself painting via a bodycam). This was a slightly safer place to paint from being well on the pavement. A nice view Contra Jour down the main street. Painting done with my 3 colour painting palette!
Painted on Saunders Waterford Cold Press paper 300 gms
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Norton St Philip, UK, 15" x 11"
A plein air I did last year on a trip out with the 'Exiles' painting group. This was also filmed with my cheap little bodycam, but the traffic noise was even worse than my previous YouTube posting so I decided to ditch it. Anyway, perhaps a hint of a quiet view here despite the busy road between me perched on the side of the road and the church opposite.
Painted on Saunders Waterford, Cold Press 300 gms
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Corsham UK, 15" x 11".
A plein air painting whilst out with the Exiles painting group in the summer of 2017. The bunting always seems to be out in Corsham. From a composition point of view, a nice way to have something framing the top of the picture and connecting the left with the right. This was a particularly sunny period just before the heavens opened (typical British Summer) and we all sheltered rapidly in the nearby coffee shop.
Painted on Saunders Waterford Cold Press Paper, 300 gms
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